: Infuses dance-pop, synth-pop, and electropop with elements of house and lo-fi.

Before discussing the format, one must appreciate the source. Produced with her frequent collaborator Leroy Clampitt, “Make You Mine” is not structured like a typical radio hit. It breathes. It stalks. The track opens with a heartbeat-like pulse—a low, tactile sub-bass that doesn’t just vibrate; it pressurizes the room. Then comes Beer’s voice: airy, controlled, and dangerously close to the microphone. She whispers the opening lines with a reverb tail so precise you can hear the acoustic space around her.

FLAC (Free Lossless Audio Codec) is the crucial ingredient. Think of it as a ZIP file for audio—it shrinks the data without throwing a single 1 or 0 away. When your DAC (digital-to-analog converter) unpacks that FLAC, it is reassembling the original master recording identically.