Gaga’s return to dance-pop, with house music influences from the 90s. The orchestral interludes (“Chromatica I, II, III”) have wide dynamic range. In 320kbps, the transition from “Chromatica II” into “911” is seamless and punchy.

A surprise jazz and dark cabaret album transforming standards into character pieces. In 320kbps, the low-end piano resonance and Gaga’s raw, theatrical belting cut through without distortion.