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| Metric | Details | |--------|---------| | | A surprisingly wide soundstage for a closed‑back design—instrument separation feels natural, making it great for orchestral and acoustic tracks. | | Bass | Deep, controlled low‑end thanks to the 40 mm dynamic drivers and a tuned bass‑reflex vent. The bass is present but never “boomy,” which keeps it suitable for both EDM and classical music. | | Midrange | Warm and detailed; vocals and guitars sit front‑and‑center with minimal coloration. | | Treble | Crisp without harshness. The custom‑tuned tweeters handle high frequencies smoothly, even at higher volumes. | | DSP & EQ | The Grace Sward app (iOS / Android) offers a 5‑band parametric EQ and three preset sound signatures: “Balanced,” “Bass Boost,” and “Studio.” The presets are well‑implemented, but the app can feel a bit sluggish on older phones. | | Noise Cancellation | Hybrid ANC with 30 dB average attenuation (up to 35 dB in the 200‑600 Hz range). It does a solid job of muffling office chatter and low‑frequency rumble (e.g., airplane engines), though it’s not as aggressive as Sony’s WH‑1000XM5. | | Transparency Mode | A “Ambient Aware” mode that uses the outward‑facing mics to let in enough ambient sound for safe commuting while still preserving music fidelity. | The E239 Exclusive proves that Grace Sward isn't
and high-quality production. Whether you are a fan of her aesthetic or a fellow creator looking for inspiration, her work—often referenced under tags like | | Bass | Deep, controlled low‑end thanks
It sits at the intersection of the art market and the industrial market. It is for the collector who already owns the Eames chair, the Noguchi table, and the Le Corbusier chaise, and who is looking for the next horizon.