The second half of the book features critical commentaries that pair, compare, and evaluate the positions of the four protagonists:
Chasing Technoscience is not a beach read. It is a workshop read. Keep the MOBI file open on your tablet while you solder a circuit board or calibrate a sensor. Let the text argue with your hands.
Yes. And that irony is the point.
A reader’s guide to the Indiana Series in the Philosophy of Technology (MOBI Edition)
: The text explores "post-phenomenology" and the move away from human-centric views, investigating how non-humans (tools and technologies) possess a form of agency.
There’s a moment in every techno-philosopher’s life—usually around 2 AM, three energy drinks deep—where you start to suspect that reality isn’t real. Or rather, that the smooth, glowing interface of your laptop screen has somehow become more real than the wooden desk it sits on.
But if you’re willing to chase—through instrumental realism, actor-network theory, and posthumanist phenomenology—you’ll come out the other side unable to see a smartphone, a scalpel, or even a doorknob the same way.
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The second half of the book features critical commentaries that pair, compare, and evaluate the positions of the four protagonists:
Chasing Technoscience is not a beach read. It is a workshop read. Keep the MOBI file open on your tablet while you solder a circuit board or calibrate a sensor. Let the text argue with your hands.
Yes. And that irony is the point.
A reader’s guide to the Indiana Series in the Philosophy of Technology (MOBI Edition)
: The text explores "post-phenomenology" and the move away from human-centric views, investigating how non-humans (tools and technologies) possess a form of agency.
There’s a moment in every techno-philosopher’s life—usually around 2 AM, three energy drinks deep—where you start to suspect that reality isn’t real. Or rather, that the smooth, glowing interface of your laptop screen has somehow become more real than the wooden desk it sits on.
But if you’re willing to chase—through instrumental realism, actor-network theory, and posthumanist phenomenology—you’ll come out the other side unable to see a smartphone, a scalpel, or even a doorknob the same way.
