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There are several benign projects with similar names that you might be looking for:

Annalena Full is versatile in her use of mediums, ranging from traditional oils and watercolors to digital tools. Her choice of medium often depends on the specific piece she's creating and the effect she wishes to achieve. For instance, her detailed and vibrant depictions of tropical birds are often executed in watercolor, a medium that allows for a fluidity and brightness that suits the subjects. art of zoo annalena full

The Art of Zoo, led by the visionary Annalena Full, is a shining example of what can be achieved when passion, innovation, and a commitment to conservation come together. This world-class institution has set a new standard for zoos, prioritizing animal welfare, conservation, and sustainability while providing an unforgettable experience for visitors. There are several benign projects with similar names

“Zoo Annalena” (2021‑2023) is a multi‑modal art project that interrogates the aesthetics, politics, and ethics of animal captivity through a series of installations, sculptures, and digital media. Conceived by German‑Brazilian artist , the work re‑imagines the zoo as a liminal space where the boundaries between spectacle, scientific knowledge, and animal subjectivity collapse. This paper offers a comprehensive analysis of the project in its completed (“full”) form, situating it within the broader discourses of post‑colonial ecology, museum studies, and contemporary art practice. By employing a mixed‑methodology that combines visual analysis, archival research, and semi‑structured interviews with the artist and curators, the study demonstrates how “Zoo Annalena” functions as both critique and alternative to traditional zoological displays. The paper concludes by reflecting on the work’s implications for future museum interventions and for the evolving relationship between art, activism, and the Anthropocene. The Art of Zoo, led by the visionary

Every component was vetted by the zoo’s veterinary team. For example, the acrylic branches near the giraffe enclosure were to ensure they would not interfere with the animals’ visual perception.