The features highlight the discovery of Auliʻi Cravalho
“Laura wanted pure room tone from the lime kiln. But the kiln had a 50Hz electrical hum from a transformer three buildings away. I said, ‘We can remove it in post.’ She said, ‘That hum is the ghost of the building. Leave it.’ I thought she was being pretentious. Then I heard the final mix with Moona’s heartbeat mic’d through a stethoscope. The hum and the heart aligned at 48 seconds. I cried. I never cry.” Behind the scenes 16- Moona- Laura Fiorentino-...
“You have to understand,” says cinematographer Marco Rizzi, “Laura threw out the storyboard after 20 minutes. She had this idea of Moona as a ‘sleepwalker who remembers she is awake.’ So we stripped the lighting down to one practical: a single, swinging bulb from 1932. Every shadow you see in the final cut? That’s a mistake we kept.” The features highlight the discovery of Auliʻi Cravalho
The character of Shute (the intimidating rival) was played by Frank Jasper, who was a real-life high-level wrestler, adding a layer of genuine intimidation to the final match. 4. The Iconic Spokane Backdrop Unlike many 80s films shot on Hollywood backlots, Vision Quest Leave it
When you press play on Behind the Scenes 16 - Moona & Laura Fiorentino , the first thing you notice is the lack of glitter. There is no red carpet. Instead, the frame opens on a cold warehouse conversion in Budapest (the unofficial capital of European cinematic arts). The set is a brutalist dream: exposed brick, a single Japanese maple tree in a ceramic pot, and a bed that looks like a cloud that fell from a Caravaggio painting.
The "Moona" series typically focuses on the erotic or "femme fatale" aspects of an actress's career. For Linda Fiorentino, this specific volume generally includes: